Soundtracks' Work

Envolving in Cinema and Media Productions

WRITING SOUNDTRACKS

I like to immerse myself in the context of the project, read and reread the script, talk with the director, the screenwriter and the director of photography to acquire their thoughts and expectations.
I then start writing the themes, the main melodies, the upthemes and the arrangements, the harmonies and integrations with the sound design ... synchronize the melodies with the scenes, review, play back, turn off the audio and watch the silent scenes, then turn off the video and listen to the music, to review the scenes in my mind and understand ...

Synchro
& Sound Design

write melodies, choose sounds and noises, synchronize on the scenes, on the movements, expressions of the characters, balance with voices and dialogues, writing silences, so all with infinitesimal precision ...

Broadcasting, Corporate Movie
& Multimedia

give importance to productions for television, advertising and broadcasts, create musical products suitable for Corporate Cinema with meticulous attention to modernity and sound innovation

Supporting
the Screenplay

Love working alongside screenwriters and directors. Listen with extreme attention to their ideas, their proposals and their impressions. Align with the authors to perfectly interpret the meaning of the pictures with the music

Music for
Theme Parks

Backgrounds, Soundtracks, Music for Attractions, Shows

with the emotional charge of children, develop musical projects that bring the mind to other worlds, to imaginary places in the name of fantasy

The amusement park in Europe, USA, Middle East, Africa, Asia, where I have composed and supplied Soundtracks for many Brands & Labels.